![]() Shout It Out Loud is a serious examination of the circumstance and serendipity that fused the creation of the band's seminal work, Destroyer – including the band's arduous ascent to the unexpected smash hit, Alive!, the ensuing lawsuits between its management and its label, the pursuit of the hot, young producer, a grueling musical “boot camp,” the wildly creative studio abandon, the origins behind an iconic cover, the era's most outlandish tour, and the unlikely string of hit singles.Įxtensive research from the period and insights into each song are enhanced by hundreds of archived materials and dozens of interviews surrounding the mid-'70s-era Kiss and its zeitgeist. But if not for a few crucial months in late 1975 and early 1976, Kiss may have ended up nothing more than a footnote. But if not for a few crucial months in late 1975 and early 1976, Kiss may have ended up nothing more than a fo How does an underground oddity become a cultural phenomenon?įor over 40 years, the rock band Kiss has galvanized the entertainment world with an unparalleled blitz of bravado, theatricality, and shameless merchandising, garnering generations of loyally rabid fans. The band continues to perform, while Stanley and Simmons have remained the only two constant members.How does an underground oddity become a cultural phenomenon? For over 40 years, the rock band Kiss has galvanized the entertainment world with an unparalleled blitz of bravado, theatricality, and shameless merchandising, garnering generations of loyally rabid fans. Criss and Frehley have since left Kiss again and have been replaced by Eric Singer and Tommy Thayer, respectively. The resulting Kiss Alive/Worldwide/Lost Cities/Reunion Tour was the top-grossing act of 19. Buoyed by a wave of Kiss nostalgia in the 1990s, the band announced a reunion of the original lineup (with makeup) in 1996. In 1983, Kiss abandoned their makeup and enjoyed a commercial resurgence throughout the rest of the decade. The band's commercial fortunes had also waned considerably by that point. Due to creative differences, both Criss and Frehley were out of the group by 1982. Peter Criss' "Catman" makeup was in accordance with the belief that Peter had nine lives due to his rough childhood in Brooklyn. Paul Stanley became the "Starchild" due to his tendency to be referred to as the "starry-eyed lover" and "hopeless romantic." Ace Frehley's "Spaceman" makeup was a reflection of him wanting to go for a ride in a space ship and supposedly being from another planet. The "Demon" makeup reflected Gene's cynicism and dark elements. The band explains that the fans were the ones who ultimately chose their makeup designs. With their makeup and costumes, they took on the personae of comic book-style characters: The Demon (Simmons), Starchild (Stanley), Spaceman (Frehley), and The Catman (Criss). The original lineup of Paul Stanley (vocals and rhythm guitar), Gene Simmons (vocals and bass guitar), Ace Frehley (lead guitar and vocals), and Peter Criss (drums, percussion and vocals) is the most successful and identifiable. Kiss has been awarded 34 gold albums to date.The group's worldwide sales exceed 80 million albums. Easily identified by their trademark face paint and stage outfits, the group rose to prominence in the mid-1970s on the basis of their elaborate live performances, which featured fire-breathing, blood spitting, smoking guitars, and pyrotechnics. ![]() Kiss is an American rock band formed in New York City in January 1973.
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